Für Johannes Heesters war Hitler ein guter Kerl

Hochgeladen am 04.12.2008

Helene Bertha Amalie „Leni“ Riefenstahl ein faszinierendes Multitalent – DOKU zum 100. Lebensjahr | Leni Riefenstahls Filme | wahrheits- u. schönheitsliebend

Helene Bertha Amalie „Leni“ Riefenstahl (* 22. August 1902 in Berlin; † 8. September 2003 in Pöcking) war eine deutsche Filmregisseurin, -produzentin und -schauspielerin sowie Drehbuchautorin, Cutterin, Fotografin und Tänzerin. Sie gilt als eine der umstrittensten Persönlichkeiten der Filmgeschichte – einerseits für ihre Werke von vielen Filmschaffenden und -kritikern als „innovative Filmemacherin und kreative Ästhetin“[1] verehrt und geachtet, andererseits wegen ihrer Beteiligung an der Propaganda für die Diktatur des Nationalsozialismus kritisiert und moralisch verurteilt.


Leni Riefenstahl – The Immoderation of Me (2002)

Published on Aug 5, 2014

La giornalista Sandra Maischberger incontra Leni Riefenstahl in questo documentario sulla controversa regista ed attrice tedesca. Nel 1926 Leni Riefenstahl inizia a recitare e diventa rapidamente una star del cinema muto. Affascinata dalla potenza oratoria di Hitler, aderì al nazismo fino a divenire la documentarista ufficiale dei film propagandistici del terzo Reich. Dopo la seconda guerra mondiale la Riefensthal riprende a girare documentari, che sono autentici capolavori, sulle culture africane e sulla biologia marina. Nel 2002 esce il suo ultimo film: „Meraviglie sott’acqua“. (Biografia a cura di RaiStoria)

Sottotitoli disponibili: inglese.


„Impressionen unter Wasser“ („Underwater Impressions“) – Regia di Leni Riefenstahl (Ger, 2002)

Published on Sep 19, 2014

„Impressionen unter Wasser“ („Underwater Impressions“) – Regia di Leni Riefenstahl (Germany, 2002 – Deu/Sub Eng).


Leni Riefenstahl: Triumph des Willens (1935)

Published on Apr 10, 2014


Leni Riefenstahl: Olympia – Festival of Nations (1936)

Published on Nov 27, 2013

Olympia is a 1938 German documentary film written, directed and produced by Leni Riefenstahl, documenting the 1936 Summer Olympics, held in the Olympic Stadium in Berlin, Germany. The film was released in two parts: Olympia 1. Teil — Fest der Völker (Festival of Nations) and Olympia 2. Teil — Fest der Schönheit (Festival of Beauty). It was the first documentary feature film of the Olympic Games ever made. Many advanced motion picture techniques, which later became industry standards but which were groundbreaking at the time, were employed —including unusual camera angles, smash cuts, extreme close-ups, placing tracking shot rails within the bleachers, and the like. The techniques employed are almost universally admired, but the film is controversial due to its political context. Nevertheless, the film appears on many lists of the greatest films of all-time, including Time magazine’s „All-Time 100 Movies.“
Olympia set the precedent for future films documenting and glorifying the Olympic Games, particularly the Summer Games. The 1936 Summer Olympics torch relay was devised by the German sports official Dr. Carl Diem for these Olympic Games in Berlin. Riefenstahl later staged the torch relay for this film, with competitive events of the Games.
Breve Storia del Cinema – Il cinema e lo stato:


Leni Riefenstahl: Olympia – Fest der Schönheit (1936)

Published on Nov 27, 2013

Olympia ist der Titel eines inszenierten zweiteiligen Propagandafilms der deutschen Regisseurin Leni Riefenstahl aus dem Jahr 1938. Der Film dokumentiert propagandistisch die während der Zeit des Nationalsozialismus in Berlin ausgetragenen Olympischen Spiele 1936.


Leni Riefenstahl. Ein Traum fon Afrika (The dream of Africa) Vol. 1 u 2

Uploaded on Mar 17, 2011

From documentary films Ray Müller.

Deutsche Geschichte: Gespräch mit Otto Ernst Remer, Kommandeur der SS division Großdeutschland 1990 Hagal Rune

Danke Lorinata!
Für einige mag die abgehackte militärische Art der Sprache befremdlich sein, umso interessanter ist aber das, was einer der lebenden Zeitzeugen und Beteiligten am 2. Weltkrieg erzählte. Man vergleiche das mit den Aussagen anderer und bilde sich selber eine Meinung über die wahren Ereignisse VOR und NACH 1945!

Gespräch mit Otto Ernst Remer, Kommandeur der SS division Großdeutschland 1990

Published on Jul 28, 2015

interview von Otto Ernst Remer, Kommandeur des Wachbataillons Großdeutschland

Attentat vom 20. Juli 1944    /   Es war offenbar eine geplante Verschwörung gewesen!

Ken O’Keefe enthüllt die Wahrheit über A H

Danke Horst!

Published on Jul 13, 2016

Englischsprachiges Original hier: https://youtu.be/xlRLhIVBAIs

Hans Kammler & Hitler’s Superweapon Program [Documentary] 2016 | Hitlers Time Travel Machine – Die Glocke – THE BELL

Hans Kammler & Hitler’s Superweapon Program [Documentary] 2016

ublished on May 2, 2016

For more documentaries like this, subscribe to: https://www.youtube.com/channel/UCEjP…

Hitlers Time Travel Machine – Die Glocke – THE BELL

Published on Sep 3, 2015

The rotation of the object, and presumably the radioactive liquid-metal called „Xerum 525“, suggests that the Germans were investigating the inertial and vortex properties of radioactive material when subjected to high speed rotation, as well as the resulting field effects.

It is likely that this rotation was caused by passing a current through the liquid – hence the high power consumption – but the possibility of mechanical rotation should not be ruled out in addition to this, as German progress in jet engine turbines and uranium centrifuges would have given them the experience to construct very high speed turbines for rotating such material for study. In this sense, it is possible that the Bell was nothing more than two counter-rotating ultra-high speed turbines That is to say, the Bell may have been an ultra high speed electro- mechanical turbine of some sort, an offshoot, perhaps, of German centrifuge technology development.
The housing of this device in an underground chamber lined with ceramic brick and rubber mats suggests that it gave off extremely strong electro-magnetic or electro-static field effects as well as high heat when in operation. The reporting of metallic tastes in the mouths of what few surviving personnel there are suggests this. The quick decay without apparent putrefaction of organic material within its field suggests effects that some would associate with scalar waves.

But what was the mysterious „Xerum 525“? When first investigating this strange material, the first thought is that it might be some radioactive isotope of mercury, or possibly a more radioactive substance in chemical solution of some sort. It is perhaps worth noting that recently a strange substance known as „red mercury“, or mercury antominate oxide, has been alleged to have strong neutron emitting properties when subjected to sudden explosive stress, and is alleged to be a non-fissile method of triggering the enormous fusion reactions of hydrogen bombs, as well as being able, in its own right, of fission explosions in the small kiloton range. Perhaps the Nazis had stumbled onto a similar such substance during the war.

Narrated By Shanti Universe

%d Bloggern gefällt das: